With paraphonic playability and an impressive 90 modular patch points, the Moog Matriarch semi-modular analog synthesizer is a sound-design powerhouse. On its own, Matriarch packs everything players love about Moog — rich oscillators, dual ladder filters, powerful arpeggiation and sequencing, and even stereo analog delay. And once you begin exploring its patch points with your modular synth environment, it’s soon apparent that the Matriarch offers a lifetime of creative potential. Complete with a delightfully responsive 49-key Fatar keybed (with patchable velocity and aftertouch), the Moog Matriarch paraphonic analog synthesizer is the perfect way to establish — or expand — your own custom modular synth setup.

 

The multicolored Moog Matriarch is a 4-note paraphonic, semi-modular analog synthesizer with a 49-note Fatar keyboard, an integrated sequencer, an arpeggiator, a stereo analog delay, and 90 patch points, compatible with the Mother-32, DFAM, and other Eurorack modules. The semi-modular design is prewired internally for making sounds without patch cables and is fully controllable via MIDI. Musicians, producers, and sound designers will rejoice in the abundance of inspiring textures, new sounds, and an endless supply of happy accidents.

 

Moog Matriarch Semi-modular Paraphonic Analog Synthesizer Features:

• Semi-modular analog synth with 49-key Fatar keybed and monophonic, duophonic, and paraphonic playability
• Stereo analog delay with up to 700ms of delay
• 256-step sequencer supports up to 4 notes per steps
• Save up to 12 sequencer patterns for instant recall
• Sequencer can be decoupled from Matriarch to sequence external synths
• Arpeggiator features Forward/Backward, Order, and Reverse playback modes
• 90 modular patch points offer astounding creative potential
• 4 analog oscillators, with multiple waveforms and hard-sync capability
• Analog LFO with 6 waveforms, plus an additional “simple” LFO
• Dual analog filters with 3 modes — parallel (HP/LP), stereo (LP/LP) and series (HP/LP)
• 2 analog ADSR envelopes and 2 analog VCAs
• 3 bipolar attenuators with ring-mod capability
• 2 x 4 parallel-wired unbuffered mults for signal splitting
• 1/4″ aux input for processing instruments, synths, and drum machines
• 1/4″ and 1/8″ Eurorack-level audio outputs for modular convenience

More information – Moog Music